PIERRE CHAREAU (18831950)


Pierre CHAREAU (18831950), Tabouret Meuble de style, Mobilier de salon, Mobilier design

Mobilier; architecture d'intérieur; lit; meuble de couchage; Credits Domaine public. Pierre Chareau (1883, France - 1950, États-Unis) Main title Lit à balancelle. Creation date vers 1925. Domain Dessin d'architecture: Description.


PIERRE CHAREAU (18831950) , 'MB106' A WALNUT FOLDING SIDE TABLE, 1930S Christie's

Possémé, Le Mobilier Français 1910-1930 les ann. D. Doria, Pierre Chareau : Un architecte moderne de Paris à New York, Paris, 2016, pp. A IV, no. 32 and A II, no. 10. Conditions of sale; Brought to you by Daphné Riou SVP, Senior Specialist, Head of Americas.


Pierre CHAREAU (18831950) Console 1922 En palissandre à piètement latéral [...], Auction

Creator and architect of the emblematic Maison de verre in Paris, Pierre Chareau left behind a rich and coherent body of work, a "Chareau style" that places him as much in the modernist movement as in avant-garde thinking that embraces a world of new forms and materials. This first volume looks back at his biography, his decisive encounters with.


Pierre Chareau, desk Nov 08, 2018 Wright in IL Desk, Desk design, Desk furniture

Mobilier; bois; lit; meuble de couchage; Credits Domaine public. Pierre Chareau (1883, France - 1950, États-Unis) Main title Lit. Creation date 1925 - 1927. Is part of the set Chambre à coucher (Dissociable set of artworks) 1925-1927 Chambre à coucher comprenant un lit, une armoire, une table de chevet et une coiffeuse avec siège.


PIERRE CHAREAU (18831950) COIFFEUSE 'MS423' ET SON TABOURET 'SN1',VERS 1926 En et syco

Pierre Chareau Ensemble de meubles Pierre Chareau (1883, France - 1950, États-Unis) Ensemble de meubles. Domain Dessin d'architecture: Techniques Tirage sur calque. Dimensions 28 x 27,5 cm. Acquisition Don de Fondation Louis Moret, 1997.


Pierre Chareau Table, Dining table, Bar table

Pierre Chareau, aménagements et architecture is an unprecedented synthesis of almost 80 interior architecture projects (1908-1938), both private and public, and his architectural projects (1925-1950). It reveals the evolution of Pierre Chareau's approach to interior design, from his beginnings as a decorator integrating his furniture into


Pierre CHAREAU Bureaubibliothèque de l'Ambasse de France Arts décoratifs (ART DECO Expo

Mobilier. By (author) Francis Lamond By (author) Marc Bedarida $80.00 Full Description & Spec Log in to add this to your wishlist. Share This Book. Pierre Chareau, aménagements et architecture is an unprecedented synthesis of almost 80 interior architecture projects (1908-1938), both private and public, and his architectural projects (1925-1950)


PIERRE CHAREAU (18831950) , A DESK AND STOOL, MODEL 'MB 405 ', CIRCA 1927 Christie's

By Pierre Chareau. Located in Los Angeles, CA "Fly Wall Lamp" by Pierre Chareau Model 110A. Originally designed in 1924, this current production of the Fly wall lamp by Pierre Chareau is composed of three rectangular alabaster p. Category 2010s French Mid-Century Modern Wall Lights and Sconces.


PIERRE CHAREAU (18831950) , 'TELEPHONE' TABLE, MODEL NO. MB152, CIRCA 1924 Christie's

Pierre Chareau was a prominent French designer and architect. Born on August 4, 1883 in Bordeaux, France, he attended the École Nationale Supérieure des Beaux-Arts at the age of 17, going on to achieve notable success within both architecture and furniture design. His furniture pieces are characterized by their dark, modular wooden.


PIERRE CHAREAU (18831950)

Marc Bédarida, architect, taught the history of contemporary architecture and urban planning at the École nationale supérieure d'architecture de Paris-La-Villette, and was director of Éditions de la Villette.He has been researching Le Corbusier and Pierre Chareau for many years, and was a guide to La Maison de Verre. He contributed to the catalogue for the Pierre Chareau, architecte, un.


Pierre Chareau Oct192000no131 Mobilier de salon, Mobilier art déco, Mobilier

Créateur et architecte de l'emblématique Maison de verre à Paris, Pierre Chareau a laissé derrière lui une œuvre riche et cohérente, un « style Chareau » qui l'inscrit tout autant dans le courant moderniste que dans une pensée d'avant-garde qui épouse un monde de forme et de matériaux nouveaux. Ce premier volume revient sur sa.


PIERRE CHAREAU (18831950) , A BERGERE, MODEL 'MF 208217', DESIGNED 1923, EXECUTED CIRCA 1929

Pierre Chareau Accessoires de cheminée Pelle et pince pour buches. vers 1924. Pierre Chareau Bureau marqueté. 1919. Pierre Chareau. Cinqualbre (Olivier). - Pierre Chareau, Ensemble de mobilier, in La revue des Musées de France, revue du Louvre, n°2, avril 2009 (Cit. et reprod. p. 54-56) ..


Pierre Chareau’s Dual Nature on Design Center for Italian Modern Art

Pair of Lounge Chairs in the Manner of Pierre Chareau. H 33 in W 28.5 in D 26 in. Giotto Stoppino, Cobra / Spirale Chairs. By Giotto Stoppino. Located in PARIS, FR. Cobra or Spirale chair designed by Giotto Stoppino in 1975. The spiral and cantilevered chrome. Category Vintage 1970s Italian Dining Room Chairs.


PIERRE CHAREAU (18831950) , BUREAU 'MB405', LE MODÈLE CRÉÉ EN 1927 Christie's

Pierre Chareau, am???nagements et architecture is an unprecedented synthesis of almost 80 interior architecture projects (1908-1938), both private and public, and his architectural projects (1925-1950). It reveals the evolution of Pierre Chareau's approach to interior design, from his beginnings as a decorator integrating his furniture into.


PIERRE CHAREAU (18831950) , SIDE TABLE, MODEL NO. MB 106, CIRCA 1924 Christie's

Mobilier. Pierre Chareau fut précurseur en introduisant le métal dans ses meubles. Son style est à la fois abouti, épuré et contrasté : les lignes parfaites, le choix des matériaux raffinés et la fonctionnalité de ses meubles en témoignent. voir la collection.


PIERRE CHAREAU (18831950)

Co-fondateur de l'Union des Artistes Modernes en 1929, Pierre Chareau fut, comme créateur de meubles et architecte, un partisan et un artisan de l'accord complet entre les matériaux, la lumière et les volumes. Ses créations furent définies à l'époque comme un mélange « de charme et de puissance, harmonie et dissonance.