What is Parallel Compression? When Should You Use it? RouteNote Create Blog
2:1 - For every 2dB of audio over the threshold, 1dB will come out. So a kick drum hit goes 10dB over the threshold, and you used a ratio of 2:1, the compressor would still let 5dB out that hasn't been compressed. Therefore this gives you a 5dB (50%) gain reduction, which is very soft.
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Parallel compression on drums or vocals (lighter genres) is more subtle Plugin order doesn't matter much - don't obsess Pick a compressor plugin a stick with it, learn it Keep an eye on the gain reduction meter Adjust the output gain to volume match the plugin (same volume going out) Attack Time
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Kick Drum Compression Settings (Including Cheat Sheet) One of the biggest things beginner engineers struggle with is finding the best kick drum compression settings for their mixes. They don't know when or where to use a compressor to make the kick stand out in a mix.
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Glue drums together Attack: Medium to Fast Release: Fast Mix: 80% to 90% Wet Gain Reduction: -2dB to -4dB Bring out transients Attack: Fast Release: Fast Mix: 50% to 60% Wet Gain Reduction: -6dB to -9dB Increase look-behind time until you hear enough transient Apply aggressive compression Attack: Fast Release: Fast
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March 27, 2023 by Nick Messitte Ultimate Drum Compression Guide Learn how to apply compression on drums in this complete drum compression guide. Discover the best compression settings for drums, how to use parallel compression, drum sidechain compression techniques, and more.
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This is our ultimate guide to compression for drum recordings. It not only explains the basics of how to use a compressor, but also how to take your drum recordings to the next level by adding more punch and utilising other techniques.
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Step 2: Route Drum Tracks to a Bus. Routing your drum tracks to a bus is essential for applying compression collectively. Create a new auxiliary or group track in your DAW and assign it as the destination for all your drum tracks. This way, you can control the compression settings for all the drums as a cohesive unit.
Kick Drum Compression Settings (Including Cheat Sheet)
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Parallel drum compression, a technique in audio production, adds impact and control to drum tracks. Basically, it's blending heavily compressed and uncompressed signals for a dynamic, punchy sound. Benefits include increased punch, retained dynamics, enhanced sustain, and control. Now, let's explore the setup and application of this technique.
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CLICK TO DOWNLOAD In this free compression cheat sheet, discover the perfect settings to use while applying compression on drums, bass, guitar, vocals, and more.
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Approach #1 - Set The Release As Fast As Possible This approach will add volume and density to your drums by bringing up low-level details, like the decay of the drum hits and the room ambience. Fast release times can make drums sound bigger and more aggressive. I typically find myself using them on drums in harder genres, like rock or EDM.
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MIX HACK: Signature Series plugins. Applying EQ, compression, dynamics processing and effects for drum mics can be a lot of work. Thankfully, seasoned mixers Chris Lord-Alge (Green Day, Muse), Eddie Kramer (Jimi Hendrix, Led Zeppelin), Jack Joseph Puig (John Mayer, Lady Gaga), and Tony Maserati (Beyoncé, Jay Z) have helped put together plugins featuring easy access to their tried-and-true.
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Drum compression is one of the key ways to emphasize pieces of the kit and also glue everything together, turning the separate parts into a cohesive, huge instrument. Compressing the Kick and Snare One of the questions you're probably asking yourself is "How much drum compression is enough?"
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Compressors drop the volume of your audio when it gets louder than a predetermined threshold, which helps you tame loud peaks. This is especially important with drums, which can have extremely sharp peaks on hits. Proper use of compression will let you clamp down on the tracks without crushing them, and also let you shape the snap, crack, and.
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When compressing a well-played and well-recorded drum sound you might only need 1 or 2dB of gain reduction and a low ratio. The attack and release times of the compressor will be very forgiving when you're working with such small gain reduction amounts. Attack!
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1. Fast Attack & Release There are a couple of situations where you'd want to use a fast attack and release. Using a fast attack causes the compressor to respond quickly to the initial sound (drum transient), and reduces the gain quickly.
