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Im Alter von 87 Jahren Stararchitekt Meinhard von Gerkan ist tot
Costumes: Florence von Gerkan Performers: Don Giovanni: Simon Keenlyside Donna Elvira: Cecilia Bartoli Leporello: Lucio Gallo (8 Feb) / Laszlo Polgar (10, 14 Feb) Il Commendatore: Alfred Muff Donna Anna: Isabel Rey Don Ottavio: Roberto Sacca Zerlina: Liliana Nikiteanu (8, 10 Feb) / Rachel Harnisch (14. Feb) Masetto: Oliver Widmer
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Florence von Gerkan put the men in cadet uniforms and the women in tightly tailored jackets, with simple, beige-tone skirts underneath. The ballroom, with straight-backed chairs and everyone sitting ramrod straight, resembled a military's school's assembly hall.
Entwurf im BA Universität der Künste Berlin
To make the brutality of the opera real, Mr. Flimm; the set designer, Robert Israel; and the costume designer, Florence von Gerkan, fill the stage with powerfully specific imagery: a prison.
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The opening scene is staged as one big, crazy party, as the performers — dressed in Florence von Gerkan and Ralf Tristan Sczesny's stridently elegant black-and-white-costumes — rush the.
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Quay Brothers (décor & video), Florence von Gerkan (costumes), Wijnand van der Horst (lighting) Walt Disney Concert Hall May 8, 2016 In the moral universe of George Eliot's Middlemarch, the life trajectory of the Reverend Edward Casaubon serves as a cautionary tale.
Info Nora Willy
Florence von Gerkan's costumes are wonderful, stark, bizarre — cutting, like the music, a wide swath through the Renaissance, geometric abstraction and contemporary references like the Batman.
VorOrt Universität der Künste Berlin
Florence von Gerkan (* 1960 in Hamburg) ist eine deutsche Kostümbildnerin und Professorin an der Universität der Künste Berlin . Leben Florence von Gerkan wurde als Spross einer Familie von künstlerisch ambitionierten Wissenschaftlern in Hamburg geboren.
Klaus Grünberg Bühnenbild und Licht De Materie
Since 2003 Florence von Gerkan is Chief Professor of Costume Design at the University of Arts Berlin. , , Los Angeles Philharmonic
Klaus Grünberg Bühnenbild und Licht De Materie
Costumes: Florence von Gerkan Sound: Willi Bopp. Produced by Theatre Vidy, Lausanne (Switzerland) Coproduced by Schauspielfrankfurt, Grand Theatre Luxembourg, Fondazione Teatro Comunale & Auditorium Bolzano, Edinburgh International Festival Co-comissioned by University North Carolina,Hopkins Center / Dartmouth College (USA)
Kostümbild Florence von Gerkan (u. a.) Taschenbuch Lektionen Deutsch 2016 3957490421 eBay
Florence von Gerkan, Costume Designer Duane Schuler, Lighting Designer. Production a gift of Alberto Vilar. Performance. Metropolitan Opera Presents Telecast: October 28, 2000. Karita Mattila LEONORE. Jennifer Welch-Babidge MARZELLINE. Ben Heppner FLORESTAN. Matthew Polenzani JAQUINO. Falk Struckmann DON PIZARRO. René Pape
WRITING TO VERMEER magdalena gut
The costume designer FLORENCE VON GERKAN was born in Hamburg and studied costume design at the University of Arts Berlin with Prof. Martin Rupprecht.
Klaus Grünberg Bühnenbild und Licht De Materie
Meinhard von Gerkan was born in Riga, Latvia on 3 January 1935 to a Baltic German family, long before the occupation of Latvia and Estonia by the Soviet Union in June 1940. His father died on the Eastern Front in 1942 while serving as a German soldier. His mother died shortly after fleeing from Poznan, in Nazi occupied Poland.
Klaus Grünberg Bühnenbild und Licht De Materie
Florence von Gerkan Costume Designer IMDbPro Starmeter See rank Florence von Gerkan was born in 1960 in Hamburg, Germany. She is a costume designer, known for Through Roses (1997), The Metropolitan Opera Presents (1977) and La Traviata (2006). Born 1960 Add photos, demo reels Add to list More at IMDbPro Contact info Agent info Known for:
Landschaft aus Bildern und Tönen TriennaleIntendant Heiner Goebbels inszeniert „Europears 1&2
These sounds were juxtaposed with the elegant visuals of Florence von Gerkan's costumes and Klaus Gr¸nberg's stage and lighting design: glowing tents arranged like a checkerboard along the enormous black stage of the Park Avenue Armory; likewise glowing blimps floated languidly overhead. Occasionally the text of the vocals would appear in.
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Florence von Gerkan. LIGHTING DESIGNER. Duane Schuler. Composer Ludwig van Beethoven Setting. The opera is set in Seville toward the end of the 18th century, during the time of political upheaval following the French Revolution. The Met's production places the action in an unspecified contemporary setting.
VorOrt Universität der Künste Berlin
Robert Israel's sets and Florence von Gerkan's costumes looked sharp and fresh here, though there were an unusual number of little glitches: singers knocking over flowerpots, or dropping things.
